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This book, is the anticipated English translation of "MEILENSTEINE OSTERREICHISCHER REITKUNST"
Find out how Austria came to be the safe hold of such a wealth of equestrian tradition:
Dr. Werner Poscharnigg eloquently answers this question by chronicling the development of the classical practices in this region of Europe. Austrian Art of Riding traces the contributions of pivotal Austrian horsemen through 500 years of elegance and ease in the equestrian art. Over 140 illustrations—many previously unpublished or little-known—along with inaccessible documents reveal the development of a culture of the thinking rider imbued with careful, loving training that results in a healthy, durable high school horse.
Equestrians world-wide who admire fine horsemanship and seek the subtle, passionate, masterful handling of the horse, will find the methods they pursue here, in Austrian horsemanship as they have been for centuries.
�“Dr. Werner Poscharnigg’s stunningly produced Austrian Art of Riding is special for….the incredible illustrations which show good balance in both man and horse in different situations and….a shining pride of achievement, commitment of endeavour and desire for perfection.” – Sylvia Loch
“Austrian Art of Riding is a major contribution to the understanding of classical riding principles…The Austro-Hungarian classical training method is without fear of force, artifice and cruelty. Instead, it is a monument to impeccable trust between horse and rider. The ennobled horse becomes able to move better than he ever could have had he been left alone in nature. Through correct riding, the rider is elevated in character and his virtues are multiplied.” – Charles de Kunffy
“Austrian Art of Riding…leads the reader on an exciting journey through the Cultural History of Austria, illuminating five centuries of equestrian advances. The Spanish Riding School in Vienna, the European cradle and sanctuary of classical riding since the Baroque era is masterfully documented in text and illustrations. Historical events are harmoniously melded with the equestrian milestones of the Riding Masters of the past.” – Karl Mikolka
Dr.Werner Poscharnigg’s writing is appreciated the world over for its eloquent style, polished language and reliable expertise. This learned horseman, speaking from personal experience and accurate research, takes us on a pleasurable reading journey rich in detailed information. He makes his home near Graz, in Southern Austria.
- Sales Rank: #1000123 in Books
- Published on: 2015-09-01
- Original language: English
- Number of items: 1
- Dimensions: 11.02" h x .60" w x 8.50" l, 1.55 pounds
- Binding: Paperback
- 222 pages
Review
This book is must for the professional horseman and for any student or aficionado of classical horsemanship and it is an honour for me to recommend this translation to the English speaking audience along with the original German version. -Karl Mikolka Dr Werner Poscharnigg's stunningly produced Austrian Art of Riding is special for many reasons, first, because many of us may not have had the pleasure of seeing many of the incredible illustrations before. They tell us so much about the guardians of the art of classical riding. They show a good balance in both man and horse in different situations and this inspires us, in turn, to try to replicate Nature as they have done. Out of them shines pride of achievement, commitment of endeavour and desire for perfection.-Sylvia Loch
Most helpful customer reviews
3 of 3 people found the following review helpful.
A well written historical account
By MikeDartagnan
This book traces the history of horse riding in Austria over a period of five centuries, beginning right back in the age of chivalry when everyone was taught to ride and horses were used in tournaments. It covers both military and school riding and explains how these two branches of equestrianism were linked. It finishes in the 21st century when the need for the cavalry no longer exists, but high school riding is still supported and practised in Vienna at the Spanish Riding School. Riding in Austria had Spanish and Neapolitan origins and the history is closely related to riding in other parts of Europe, making the book of wide-ranging interest.
The content is unique because the author has reviewed recently discovered documents, and has therefore been able to present a more accurate history than was hitherto known. Some misconceptions have been corrected, one example being that the teachings of La Gu�rini�re had much less influence over the training at the Spanish Riding school than had previously been thought.
Werner Poscharnigg examines the works of numerous famous and influential riders and explains their differing approaches to training and the roles they played in keeping the art of riding alive in Austria. It is interesting to see how the posture of the rider changed through the ages, and how different equipment was used at different times, but the author assures us that the key characteristics of Austrian riding — the softly swinging back of the horse and effortless riding with invisible aids — have remained unchanged for centuries.
A review of Grisone’s early book on the rules of riding reveals some rather barbaric practices, but an early Austrian author, by contrast, is shown to be all gentleness and kindness. Werner Poscharnigg discusses notes left by several chief riders of the Spanish Riding school and tells some interesting stories – you can find out which chief rider managed to ride a piaffe while balancing a glass of water on his horse’s croup without spilling a drop!
Instruction was passed down orally, and it seems this left leeway for chief riders to promote their own ideas, so that when changes occurred it is not clear that they were necessarily improvements. In the early days the cavesson was widely used in training. This is well illustrated in a book by Eisenberg who studied under Regenthal at the Spanish Riding School. Later on, the bridoon, unknown in earlier times, was in common use. Originally different coloured Lipizzaners were bred, but suddenly one chief rider decided to focus on breeding white horses. As a result of this evolution it is now generally held that the art of riding peaked in the 18th century. However, the author explains how Austrian riding has spread to other parts of the world and he projects an up-beat feel about the survival of this fine riding tradition.
The book is richly illustrated and it covers how riding has been illustrated in art – pictures by Ludwig Koch depicting correct and incorrect actions being of particular interest here. There are numerous photos of famous riders that have not been seen before, and there is plenty of information about training methods to keep riders interested.
I had planned to skim-read the book in order to write this review, but I read every word, and I will certainly be dipping into it again. You can’t really understand the art of riding without studying the background, and this is one of the best sources of information available to date. It also includes references to further reading material. I am certain that anyone with an interest in classical riding will enjoy reading this book and I have no hesitation in recommending it.
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