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This is a book about one of the deadliest places in the world
El Salvador and Honduras have had the highest homicide rates in the world over the past ten years, with Guatemala close behind. Every day more than 1,000 people—men, women, and children—flee these three countries for North America. �scar Mart�nez, author of The Beast, named one of the best books of the year by the Economist, Mother Jones, and the Financial Times, fleshes out these stark figures with true stories, producing a jarringly beautiful and immersive account of life in deadly locations.
Mart�nez travels to Nicaraguan fishing towns, southern Mexican brothels where Central American women are trafficked, isolated Guatemalan jungle villages, and crime-ridden Salvadoran slums. With his precise and empathetic reporting, he explores the underbelly of these troubled places. He goes undercover to drink with narcos, accompanies police patrols, rides in trafficking boats and hides out with a gang informer. The result is an unforgettable portrait of a region of fear and a subtle analysis of the North American roots and reach of the crisis, helping to explain why this history of violence should matter to all of us.
- Sales Rank: #284743 in Books
- Published on: 2016-03-08
- Released on: 2016-03-08
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.10" w x 5.80" l, 1.25 pounds
- Binding: Hardcover
- 288 pages
Review
“Mart�nez dives into the underworld of his subjects, navigating barrios that police won’t enter, spending days and nights with gang members. His methods resemble war reporting and his prose is cinematic … The collection’s strength lies in his ability to write the hell out of his material. Like Katherine Boo’s Behind the Beautiful Forevers and Adrian Nicole LeBlanc’s Random Family, it skimps on statistics and analysis, instead relying on description alone to create a world that captures the reader and doesn’t let her go. One of the stories, ‘El Ni�o Hollywood’s Death Foretold,’ evokes Gabriel Garc�a M�rquez’s Chronicle of a Death Foretold. Like the beloved Colombian writer, Mart�nez pens scenes that are suspenseful, moving, and vivid.”
—New Republic
“Mart�nez is a gifted storyteller with an astute, observant eye and a voice that beckons to be followed … A History of Violence is a necessary read, especially for US government officials crafting immigration policy against migrants and refugees from the region. It sheds light on why so many are braving the treacherous trek through Mexico to reach the United States.”
—Los Angeles Review of Books
“Mart�nez’s credentials for writing about this ignored human tide are impeccable: his first book, The Beast, drew on eight trips clinging to the roof of the infamous migrants’ train through Mexico, chronicling their desperation in grippingly graphic detail. His new book, A History of Violence, takes a step back to explore what the migrants heading to the US are running away from … the unflinching cameos it paints offer a chilling portrait of corruption, unimaginable brutality and impunity.”
—Financial Times
“If you take just one book to Central America on holiday, don't pick this one. Oscar Martinez has written a punishing account of the lives of the poor in Guatemala, Honduras and El Salvador. Melding acuity and anger, he unveils the scary realities of organised crime …�Mr Martinez deserves credit for bringing it so effectively to life.”
—Economist
“As the current wave of US Immigration and Customs raids authorised by President Obama deports Latino migrants, and Donald Trump boosts his election campaign with promises to build a wall along the US–Mexican border, Mart�nez endeavours to explain why, for many Central Americans of the northern triangle, returning home is a death sentence.”
—Independent
“Ripped from the headlines, these are powerful stories of Central America’s chaotic and bloody present, sure to raise awareness among a broad audience of North Americans, whom Mart�nez refuses to let off the hook. ‘The solution?’ he asks. ‘It’s up to you.’”
—Library Journal
“In Spanish, the tradition of the cr�nica is in-depth testimonial reportage blended with personal essay, and Mart�nez is a worthy inheritor. Mart�nez’s work conveys an intimate knowledge of the social and criminal ecosystem—both macro-level context and telling minutiae. But because he isn’t afraid to follow dangerous paths, the result are jewels with moments of intense emotion presented against a historical background that contemplates military, social, economic, religious, psychosclogical and all sorts of other factors … I am in awe of Mart�nez’s commanding style. ”
—Ilan Stavans,�In These Times
“Agonizing stories … [Mart�nez] urges readers to understand what Central Americans are going through and what compels them to seek refuge in the United States.”
—Ram�n Renter�a, El Paso Times
“Dives deep to the problems driving the region's violence and impunity …�If The Beast was a look at the dangers of the journey, A History of Violence�focuses on why people take it to begin with.”
—Jared Goyette, PRI’s The World
“No place is dangerous enough to quell Mart�nez’s hunger for the truth, as the intrepid newshound sniffs around in occupied prisons, grim police stations, hellish whorehouses, desolate crack dens, isolated ranches and battered barrios, all the locales omitted from the tourism brochures. To understand how corruption operates in Central America, Mart�nez goes to where it operates … gritty journalism.”
—Hector Luis Alamo, Latino Rebels
“Reading Salvadoran journalist �scar Mart�nez’s nonfiction portrait of violence in Central America, it seems fantastically lucky for all of us that he’s still alive … The reporting is an act of courage; the book is a plea for comprehension of the terror that drives people from Central America to the United States … Mart�nez’s portrait of Central America as killing field is a plea not only for comprehension of immigrants’ race for the border but also for empathy.”
—Nancy Nusser, Texas Observer
“Mart�nez draws readers into this complex narrative by alternating between a panoramic social sweep and the beleaguered lives of civilians, victims, gang members, and cops, capturing the multilayered nature of a place whose indigenous traditions are being brutalized by modern criminals who commit murder casually …�Smart, angry immersive journalism from an author who warrants wider readership on this side of the border.”
—Kirkus
“Mart�nez tenaciously reports piece by piece on the accretion of gang-related violence besetting El Salvador, Honduras, and Guatemala … Mart�nez's reporting reveals shocking failures of the state—particularly of police and courts—but he avoids tidy lessons, preferring to let the intractable issues stand in all their cold brutality.”
—Publishers Weekly
“A haunting portrait of a tragic, complicated part of the world.”
—Shelf Awareness
About the Author
�scar Mart�nez is the author of The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail. He writes for El Faro, the first online newspaper in Latin America.
Most helpful customer reviews
6 of 7 people found the following review helpful.
All in all this book is an excellent depiction of crime
By Carmen
As a major fan of Oscar Martinez's journalism I was simply counting the days for this books release once I got my hands on it I cracked the book open and I began yet another literary journey into the darkness that has engulfed Central America. The book for those of you who haven't read it is most definitely not for the faint of heart lots of depiction of violent crimes such as homicides. At times I often found myself setting the book down in order to not lose my full faith in humanity but my faith however remained thanks to journalistic heroism of Oscar Martinez who constantly puts his own life at risk while covering events in Latin America. One of the most striking aspects of this particular book is that Oscar Martinez decided to center part of the book that takes place in his native El Salvador around a single individual know as El Ni�o Hollywood or El Kid Hollywood. Quite possibly one of the most interesting real life characters in modern literary history a notorious Mara Salvaturcha hitman turned state's witness for the government who often describes his claimed murders in a casual manner. I never thought that I could feel for someone as malevolent as this cat but thanks to Oscar Martinez immersive writing I found myself empathizing to a certain degree with The Kid. All in all this book is an excellent depiction of crime , destruction , and the corruption of both human nature and the state. Long live Oscar Martinez!!
Tips for Taking on this Book
1. Read The Beast by Oscar Martinez first it's technically the spiritual predecessor of this book . The book will also allow you to get used to Oscar Martinez writing style which is an immersive one and immediately places the reader into the action taking place. After which Oscar Martinez gives the reader some background over the situation at hand as the chapter continues.
2. Brush up on your Central American Geography the book includes a map of Central American countries and the states that compose them. I find that it would have been super helpful if the publisher had placed the exact geographic location of all of the cities that are depicted in the book.
3. Highly recommend this book to anyone who's into Criminal Justice or human migration patterns. Also if you are a fan of The Wire or any other cerebral cop shows you'll probably enjoy the hell out of this book. Oscar Martinez's writing is similar to that of David Simon's and Ed Burns writing on the show in which you are usually thrust into the action and are given background as the episode ensues.
0 of 0 people found the following review helpful.
Five Stars
By William J Remmel
This is a powerful read.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Great book
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